A couple of weeks ago I went to Mount Arayat National Park in Pampanga, here in the Philippines.
I’d been invited by some friends to spend the day, with a walk in the mountain park in the morning followed by socialising later. This meant first taking a bus to San Fernando and then another, local bus. We wanted to be there for sunrise, which is why I found myself sitting in a taxi at 3.30 am, hurtling through Quezon City at speeds in excess of 100 kph. It was a good adrenaline rush to start the day. Continue reading Arayat Escapade→
Imbolc, (pr EEmulk), is an ancient fire festival that marks the end of the dead part of the year. Originally it was celebrated at the midpoint between the Winter Solstice and the Vernal Equinox, and in other traditions on the night of the first full moon after that.
At the Mound of the Hostages on the Hill of Tara, in Ireland, the inner chamber is aligned with the rising sun at the midpoint between solstice and equinox, and so marks the dates of Imbolc and Samhain. Many other megalithic monuments in Northern Europe also have this characteristic, showing how important these dates were. They delineated the dead period of the year, which began at Samhain, when nothing grows and the shades of the dead and other supernatural beings walk freely in the world. Imbolc is the day the Goddess returns, not yet in her full glory and majesty, here a girl full of promise, one of the three forms of a triple-goddess. Continue reading Happy Imbolc!→
Since 2002 I have been researching into something that I felt more than anything else. Something was nagging me. At the time I lived, as I do now, in France, and the signs of Goddess-worship were all around me. Cathedrals were full of images of the Goddess, the art replete with them. I could see this but I couldn’t define it, I couldn’t understand what it meant.
When I returned to Scotland I was a very busy man for a long time, building a house and trying to make ends meet from my freelance work, and also my own mother became ill and died, so the research went on hold. But it was always there in the back of my mind, and as I travelled round Scotland, that epicentre of dry Presbyterianism, I saw again and again the unmistakable mark of the Goddess all over the architecture and in the symbolism.
The Goddess was the principal focus of my Masters’ Degree research and even though I came a long way, I didn’t reach the answer I sought. When I came back to France I began to write, but in April of 2012 I had to stop. I was getting too confused. Continue reading Pursuing the Goddess→
Non-Politically Correct Writing and Photography by Rod Fleming and Guests