Ladyboys by the Sea and Botticelli

Beach beer and paddling with ladyboys in the Philippines. I wonder what the collective noun would be here? A delight of ladyboys? Pictures made in 2016.

Jelly and I  went to the beach to relax and drink beer with some ladyboy friends.  Two, Azumi and Icey, paddled around in the water and I photographed them. Icey reminded me of Botticelli’s ‘Birth of Venus’. She had amazing – dyed of course – auburn hair that fell in cascades around her face and adopted a perfect contrapposto, holding a towel over her head to keep off the sun.

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Sexual Inversion, HSTS and Transgender Homosexuality

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Sexual Inversion is implicated in True or HomoSexual Transsexualism (HSTS) and Transgender Homosexuality, that is, feminine male homosexuality and masculine female. It is innate, has distinctive features and should be considered a form of Intersex.

Affected individuals may develop either into Transgender Homosexuals (feminine male/masculine female) or they may transition into HSTS. In males this phenomenon is usually associated with a range of physical effects including, but not limited to: lightness of build; tendency to be smaller than related males; fineness of bony structures; anomalies in digit ratios such that they tend to resemble the female typical, marked neoteny (baby face) and usually, delayed masculinisation even after puberty. As children they show marked preference for girl-typical toys and games and reject and avoid rough-and-tumble boyish ones. They may enjoy sewing or other delicate hobbies and they are likely to be talented.

They may be exceptional dancers and love performing; in cultures where Sexual Inversion is tolerated amongst children, it is not at all unusual to come across informal ‘beauty pageants’ set up in the street or the village square, where all the contestants are pre-pubescent boys dressed as girls. Their mothers and sisters form the crowd, shouting encouragement as their sons — or perhaps their daughters — extravagantly strut their stuff, elbows on hips, eyes flashing exaggerated ‘come on’ looks at the boys.

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How Contemporary Gallery Art became a disaster

Contemporary gallery art is a very expensive, publicly-funded white elephant, a crutch of the elite. To call today’s art education, which feeds the galleries with an unending supply of this visual tripe, a catastrophic disaster, would be an understatement. It’s time we stopped pandering to its promoters.

Today we live in a West where multiculturalism has all but made us forget that Post-Renaissance European culture is what shaped the world. Everywhere, people learn English. In India, Urdu is dying because students are taught in English.

Yet language is not alone amongst our triumphs. Alongside our technological and scientific prowess there is another pillar of our culture: our art.

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Gynandromorphophilia/GAMP: Loving Transwomen

Gynandromorphophilia, the love of transwomen, is a little-discussed sexual orientation which was made even harder to talk about because it breaks your tongue trying to say it. The conventional acronym is GAMP and that is what we are going to use in this article. We are only going to discuss GAMP as it affects males. There is evidence that some females share this orientation but there is no reliable data.

You may never have heard of GAMP but, despite being popularly ignored, it is a common phenomenon. Put simply, it describes an attraction to transsexual women. The term gynandromorphophilia was coined by Ray Blanchard, who gave us the current scientific position on transsexualism. He was a one for the tongue-twisters too.

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First published January 2018; updated July 2020

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Gendercrit Activists: The Enemy

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We are currently, in 2020, in a crisis in which young Sexual Inverts, sometimes called gender non-conforming children, sex non-conforming children, pre-transsexual children or just transkids, are under a level of attack not seen since the 1980s. This comes largely from a disparate and thoroughly poisonous group calling themselves ‘gender critical’ or ‘gendercrit activists’.

Gendercrit feminists

This group appeared about ten years ago and is partly comprised of various flavours of radical feminists who believe, erroneously, that gender is a ‘social construct’. If HSTS is what it is claimed to be, then two things logically must follow. One is that Sexual Inversion is a real thing and the second is that gender must be related to sexuality. It cannot be formed by ‘socialisation’ but instead is the innate means by which an individual expresses and communicates his or her sexuality. This destroys the greater part of feminist dogma and so these feminists would like to see HSTS erased. Prominent in their ranks are Kellie-Jay Keen-Minshull, aka ‘Posie Parker’, Anne Ruzylo, in the featured picture and Graham Linehan, a television screenwriter. (See HERE)

 

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Time: the cutting edge of Creation.

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Flying out to the Phils a while ago I watched an excellent show presented by the late Professor Stephen Hawking about time travel. This has fascinated us for over a century, leading to all sorts of speculation about time machines. HG Wells’ eponymous book is perhaps the first and defining of the many books about this and, of course, the beloved Doctor Who is dependent on the notion.

Time and Space

Wells’ vision, however entertaining, overlooked one major problem with time travel: even if you could move to a different when, establishing where that would be is staggeringly complex. The Earth is not stationary, indeed nothing in the Universe is. You would need to calculate precisely where in space you wanted to be at the time you wanted to be there. Suppose you just want to go back a week. It’s not just a matter of going back a week where you are now, because last week, where you are now was 11.25 million miles away.

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Feminism has always been a lie.

Feminism is a deception perpetrated on women and society by a small group of females, in order to implement a Communist Revolution. If you don’t believe me, read Gloria Steinem: ‘the only thing Marx got wrong is that the means ARE the end’.

The sex-doll issue, which was bubbling in the news-feeds as feminists set it up for attack — until COVID-19 stole the show — is illustrative of how they use sex to exercise power over men. No women are harmed in a sexual exchange between a man and a piece of plastic, yet somehow it is still ‘demeaning to women’ for this to happen. How is that even possible? It’s a SEX TOY.

I want to see a man beaten to a bloody pulp with a high-heel shoved in his mouth, like an apple in the mouth of a pig. Andrea Dworkin

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Abortion: the egregious slaughter of the innocent

We generally agree, as humans, that human life is sacrosanct. It is one of the greatest cultural condemnations we can deliver, that ‘human life has no value’. Yet abortion does precisely that: it places the value of human life at zero.

I spent much of my life as a classical liberal who would have agreed that, within the precinct of one’s own body, the right of self-determination is absolute. And in general, I still hold this to be true. Across a swathe of issues from transsexualism to tattooing to more extreme forms of ‘body art’, as long as it harms no other, then the individual does indeed have sovereignty over his or her own body. Yes there is a responsibility towards whatever collective that nurtured the child and made the adult, be that family, city or State; but we repay these in our love for those who raised us, in our love for those we in turn raise and, should that not be enough to persuade the most flinty-hearted, in the taxes and services we render. Within our own bodies and minds, we are sovereign.

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